Mutoh
is a known and respected company. Actually it's a Mutoh factory
which manufactures Epson wide format printers. And its Epson
printheads which are inside most Mutoh printers (Mutoh solvent
ink printers may use Xaar or Spectra printheads).
Problem
is, Mutoh wide format printers are hard to find in action,
probably because Encad, ColorSpan,
and Hewlett-Packard are so popular, with the Epson
growing rapidly in market share as well.
It
took considerable effort to pry sparse tidbits of information
from the terse corporate web site, namely that Mutoh printers
are basically OEMed as various other brands. For example,
the original Falcon is a 180 dpi printer rated at 720 dpi.
All the Epson, Roland, and Mimaki printers of this piezo generation
were 180 dpi; the newer generation printheads are rated at
360 dpi. Why the discrepancy with 720, 1440, 0r 2880? Those
larger numbers are based on software, on additional passes
to lay down more rows of 360 dpi dots until the total of going
back and forth over the page equals 720, 1440, or 2880. The
result we have seen from Mutoh printers at their top resolution
is very handsome. Downside is their slowness to achieve this
quality. However some print shops are willing to accept the
delay if they need to produce just one or two prints. If you
need to reproduce 20, or 200 prints, you need a machine with
a thermal printhead: piezo is still to slow for commercial
production in most cases.
Previously
Mutoh did not sell direct. In America the easiest way to buy
a Mutoh was to order one of the several sizes of Agfa Sherpa.
Another variant of the Mutoh showed up as the Phaser 600,
a rather unique solid-ink system for Tektronix.
Solid
ink in general (usually nicknamed "melted crayons")
does not impress people in the fine art world. Photographers
and people with a graphic-eye want better quality. MacUser
magazine noted "noticeable banding." You can reach
your own conclusion on whether you would buy this kind of
unusual technology. After all, if melting solid wax was so
super, why don't other companies use it? Why is no one, no
one else even experimenting with melted crayons..."
In
other products Tektronix, now Xerox-Tektronix, produces the
best color laser printers around. Just watch out for their
melted wax desktop printer; it's good for printing on transparencies
for overhead projectors, but it is not good for graphics quality
and not good if you need continuous tone photographs or exhibit
quality work. The Tektronix model that uses laser toner, their
Phaser 780 I believe, is outstanding. See www.laser-printer-reviews.org.
Anyway, the Mutoh solid-ink printer is no longer manufactured
that I know of, but since used examples still linger on e-Bay,
it's good to know what to expect from such obsolete technology.
Gerber
markets an OEM Mutoh also as a vinyl cutter. We got the impression
that one of the Iris (CreoScitex) printers is also actually
manufactured by Mutoh; indeed if you peel off the Iris label
on the ink cartridge, it says Epson underneath. So would Mutoh
inks. The ink for Mutoh, Roland
and Mimaki
comes from Epson. They get it from some ink company, reportedly
Toyo but no one says for sure one way or another
Another
OEM is the PrismJet HiFi, from SignWarehouse in the USA.
Same situation, Epson heads, Mutoh body, SignWarehouse
label. However thermal printers such as Encad, ColorSpan,
and HP are faster and more versatile for printing signs.
Rebranded
Encad printers are easier to spot: Ilford, Kodak
USA, and Oce, among others, repackage Encad printers.
Graphtec used to but recently switched to Hewlett-Packard.
I
see Mutoh wide format printers at various trade shows. But
until we have a Mutoh available to test in person in our own
facility, I prefer to discuss the printers that I know from
firsthand experience in the FLAAR studios, namely Encad, ColorSpan,
Mimaki,
and Hewlett-Packard. For example, how many of the inherent
Epson problems are inherited by the Mutoh printers? Problems
such as fast-fade disappearing dye inks, glacially slow at
high resolution, etc. Again, it may very well be that the
Mutoh has solved these problems such as banding, which is
a real bugaboo for Roland still today. The Agfa
GrandSherpa we recently inspected was producing nice output,
even acceptable backlit. The print shop owner said he was
content.
For
any 1440 or 720 dpi printer, be absolutely sure that you realize
these printers are incapable of printing photo-realistic quality
at production speeds of 180 to 360 dpi. If you set these printers
to FAST speed the quality collapses to 360 dpi, which may
look worse than draft quality. In other words, you cannot
sell a print resulting from production speed. So if you are
a sign company, you might want to consider a faster printer
to create your signs quicker and hence earn more profit. The
ColorSpan, Encad and the Hewlett-Packard both do signs perfectly.
Canon is out of consideration since it can't accept any pigmented
inks yet.
UPDATED:
August 02, 2001; last updated August 22, 2002
Additional updates from winter 2005 onward are also being put into the FLAAR Report Series in PDF format and are available on www.wide-format-printers.NET.